1001 Nights Turkish Serial Movies Phyllis

1001 Nights Turkish Serial Movies Phyllis 5,7/10 4241 reviews

An Indian TV series based on the stories told within 1001 Nights while framed by the main Sheherazade story. 'Arabian Nights'. This was the first in a series of three movies conceptualized and produced by Ray Harryhausen. It is most famous for being his first color film and of course, for his stop-motion monsters. This Turkish film doesn. Sep 14, 2019 - Explore Pat Corley's board '1001 Nights' on Pinterest. See more ideas about Turkish actors, Actors, Turkish film. Synopsis Sehrazat (Berguzar Korel) is a talented architect who works in a construction company owned by Onur (Halit Ergenc) and Kerem (Tardu Flordun). She loses her husband and is devastated once more when she learns that her five-year old son suffers from leukemia and needs an urgent and very expensive surgery. 1001 Nights / Binbir Gece with Halit Ergenc is now being subbed into English!!!:):) They have already completed the first 3 episodes.

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1001 Nights Turkish Serial Movies Phyllis
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1001nights
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'Long was my night for sleepless misery; weary of body and of thought never free',
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Zagros
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Post Options Thanks(0)QuoteReplyTopic: Hezar o Yek Shab (1001 Nights)
Posted: 04-Sep-2005 at 06:36

From Wikipedia, the free encyclopedia.

Queen Scheherazade tells her stories to King Shahryar.

The Book of One Thousand and One Nights (ßÊÇÈ ÃáÝ áíáÉ æ áíáÉ in Arabic or åÒÇÑ æ ی˜ ÔÈ in Persian), also known as The book of a Thousand Nights and a Night, 1001 Arabian Nights, or simply the Arabian Nights, is a piece of medieval Middle-Eastern literature in the style of a frame tale. The nucleus of these stories is formed by an old Persian book called Hazâr Afsâna (the Thousand Myths) (in Persian åÒÇÑÇÝÓÇäå). The later compiler and translator in Arabic is reputedly storyteller Abu abd-Allah Muhammed el-Gahshigar in the 9th century. The frame-story of Shahrazad seems to have been added in the 14th century. The first modern Arabic compilation, made out of Egyptian writings, was published in Cairo in 1835.

During the reign of Harun al-Rashid, Baghdad rose to a world metropolitan city. Merchants from Persia, China, India, Africa, and Europe were all found in Baghdad. It’s during this time that many of the stories, which are originally folk stories, are thought to have been collected orally over many years and later then compiled to include them in a single book.

The story starts with the Persian Shahryar, king of an unnamed island 'between India and China' (in modern editions based on Arab transcripts he is king of India and China), is so shocked by his wife's infidelity that he kills her and, believing all women to be likewise unfaithful, gives his vizier an order to get him a new wife every night (in some versions, every third night). After spending one night with his bride, the king has her executed at dawn. This practice continues for some time, until the vizier's clever daughter Shahrazad (the name is perhaps better-known in English as 'Scheherazade' or 'Shahrastini', which is a Persian name) forms a plan and volunteers to become Shahrayar's next wife. Every night after their marriage, she spends hours telling him stories, each time stopping at dawn with a cliff-hanger, so the king will postpone the execution out of a desire to hear the rest of the tale. In the end, she has given birth to three sons, and the king has been convinced of her faithfulness and revoked his decree.

The tales vary widely; they include historical tales, love stories, tragedies, comedies, poems, burlesques and Muslim religious legends. Some of the famous stories Shahrazad spins in many western translations are Aladdin's Lamp, Sindbad the Sailor, and the tale of Ali Baba and the Forty Thieves; however Aladdin and Ali Baba were in fact inserted only in the 18th century by Antoine Galland, a French orientalist, who had heard them in oral form from a Maronitestory-teller from Aleppo. Numerous stories depict djinns, magicians, and legendary places, which are often intermingled with real people and geography; the historical caliphHarun al-Rashid is a common protagonist. Sometimes a character in Scheherazade's tale will begin telling other characters a story of his own, and that story may have another one told within it, resulting in a richly layered narrative texture.

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Editions

The first European version (and first printed edition) was a translation into French (1704 - 1717) by Antoine Galland of an earlier compilation that was written in Arabic. This book, Les Mille et une nuits, contes arabes traduits en français (in 12 volumes) probably included Arabic stories known to the translator but not included in the Arabic compilation. The Arabic compilation Alf Layla (A Thousand Nights), originating about 850 C.E., was in turn probably an abridged translation of an earlier Persian work called Hazar Afsanah (A Thousand Legends) but probably originated in India. The present name Alf Layla wa-Layla (literally a 'A Thousand Nights and a Night', i.e. '1001 Nights') seems to have appeared at an unknown time in the Middle Ages, and expresses the idea of a transfinite number since 1000 represented conceptual infinity within Arabic mathematical circles. Legend has it that anyone who reads the whole collection will become mad.

The work is made up of a collection of stories thought to be from traditional Persian, Arabic, and Indian stories. Some elements appear in the Odyssey. However, Aladdin's Lamp and Ali Baba and the Forty Thieves appeared first in Antoine Galland's translation and cannot be found in the original writings. He heard them from a Syrian Christian storyteller from Aleppo, a Maronite scholar, Youhenna Diab, whom he called 'Hanna'.

Perhaps the best-known translation to English speakers is that by Sir Richard Francis Burton, published as The Arabian Nights. Unlike previous editions, his 16-volume translation was not bowdlerized. Though published in the Victorian era, it contained all the erotic nuances of the source material. More recent and more legible versions are that of the French doctor J. C. Mardrus, translated into English by Powys Mathers, and, notably, a critical edition based on the 14th century Syrian manuscript in the Bibliotheque Nationale, compiled in Arabic by Muhsin Mahdi and rendered into English by Husain Haddawy, the most accurate and elegant of all to this date.

John Payne, Alaeddin and the Enchanted Lamp and Other Stories, (London 1901) gives details of Galland's encounter with 'Hanna' in 1709 and of the discovery in the Bibliotheque Nationale, Paris of two Arabic manuscripts containing Aladdin and two more of the 'interpolated' tales. He instances Galland's own experience to demonstrate the lack of regard for such entertainments in the mainstream of Islamic scholarship, with the result that

'complete copies of the genuine work were rarely to be met with, collections.. and the fragmentary copies which existed were mostly in the hands of professional story-tellers, who were extremely unwilling to part with them, looking upon them as their stock in trade, and were in the habit of incorporating with the genuine text all kinds of stories and anecdotes from other sources, to fill the place of the missing portions of the original work. This process of addition and incorporation, which has been in progress ever since the first collection of the Nights into one distinct work and is doubtless still going on in Oriental countries, (especially such as are least in contact with European influence,) may account for the heterogeneous character of the various modern MSS. of the Nights and for the immense difference which exists between the several texts, as well in actual contents as in the details and diction of such stories as are common to all.'

The Book of One Thousand and One Nights has an estranged cousin: The Manuscript Found in Saragossa, by Jan Potocki. A Polish noble of the late 18th century, he traveled the Orient looking for an original edition of The Book.. but never found it. Upon returning to Europe, he wrote his masterpiece, a multi-leveled frame tale.

Adaptations

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Film and television

Mili Avital as Scheherazade and Dougray Scott as Shahryar, in the ABC/BBC Miniseries Arabian Nights.

There have been many adaptations of the Nights, for both television and the big screen, with varying degrees of faithfulness to the original stories.

The atmosphere of the Nights influenced such films as Fritz Lang's 1921 Der müde Tod, the 1924Hollywood film The Thief of Baghdad starring Douglas Fairbanks, and its 1940Britishremake.

One of Hollywood's first feature films to be based on the Nights was in 1942, with the movie named Arabian Nights. It starred Maria Montez as Scheherazade, Sabu as Ali Ben Ali and Jon Hall as Harun al-Rashid. The storyline bears virtually no resemblance to the traditional version of the Nights. In the film Scheherazade is a dancer, who attempts to overthrow Caliph Harun al-Rashid and marry his brother. Unfortunately Scheherazade’s initial coup attempt fails and she is sold into slavery, many adventures then ensue. Maria Montez and Jon Hall also starred in the 1944 film Ali Baba and the Forty Thieves.

Arguably the most successful movie based on the Nights was Aladdin, the 1992animated movie by the Walt Disney Company, which starred Scott Weinger and Robin Williams. The film led to several sequels and a television series of the same name.

The Voyages of Sinbad have been adapted for television and film several times, the most recent of which was in the 2003 animated feature Sinbad: Legend of the Seven Seas, which starred Brad Pitt and Catherine Zeta-Jones. Perhaps the most famous Sinbad film was the 1958 movie The Seventh Voyage of Sinbad, produced by the stop-motion animation pioneer Ray Harryhausen.

There are of course, many non-English versions of the Nights. These include numerous Bollywood movies, the famous 1974Italian movie Il fiore delle mille e una notte and the 1990French movie Les 1001 nuits, that starred Catherine Zeta-Jones as Scheherazade.

One of the most memorable television adaptations was the Emmy award winning miniseriesArabian Nights, directed by Steve Barron and starring Mili Avital as Scheherazade and Dougray Scott as Shahryar. It was originally shown over two nights on April 30, and May 1, 2000 on ABC in the United States and BBC in the United Kingdom. Out of all the television and film versions of the Nights, this miniseries is perhaps one of the most faithful to the original stories.

[edit]

Upcoming movies

A film entitled 1001 Nights, written by Jeff Vlaming and due out 2006, is to be set in the present day and star Juliette Binoche and Laurence Fishburne. It portrays Scheherazade’s equivalent as the unfaithful wife of a mobster, who is kidnapped by her husband's henchmen and forced to tell stories in order to win her freedom.

Another film based on the Nights, is due out in 2007 and is simply named Arabian Nights. Written by Enio Rigolin, it will depict a more traditional version of the Nights set in ancient Persia.

The story starts with the Persian Shahryar, king of an unnamed island 'between India and China' (in modern editions based on Arab transcripts he is king of India and China)

According to Shahryar-Nameh of Mokhtari Ghaznavi (one of the greatest Persian poets of the 11th century), Shahryar was a king of Persia who helped Faranak/Serendipity, the queen of Serendib Island (Ceylon/Sri Lanka) to fight against Arzhang.

Land of Aryan
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Points: 2176 Post Options Thanks(0)QuoteReply Posted: 05-Sep-2005 at 06:39
39 of 1001 Nights Storys are here: 'in Parsi'
http://www.iiketab.com/ebook/hezarshab/hezarshab.htm
Edited by Land of Aryan
Rakhsh
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Points: 331 Post Options Thanks(0)QuoteReply Posted: 31-Oct-2005 at 19:26
yeah we all knew it was written by A Persian but why the heck 1001 arabian nights I rather 1001 Persian nights
Never under estimate the predictablity of stupidity! - Bullet Tooth Tony
Zagros
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Points: 8795 Post Options Thanks(0)QuoteReply Posted: 31-Oct-2005 at 19:30
Arabian nights is what the westerners called it, we call it hezaro yek shab, simply 1001 nights, not referring to them being arabic or persian, because ethnicity was not really very important in those days.
Rakhsh
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Never under estimate the predictablity of stupidity! - Bullet Tooth Tony
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Bergüzar Gökçe Korel was born on August 27, 1982 in Istanbul. Turkish TV series, cinema and theater actress.

Name: Bergüzar Gökçe Korel
Date of Birth: August 27, 1982
Place of Birth: İstanbul
Height: 1.80 m.
Weight: 58 kg
Zodiac Sign: Virgo
Eye color brown
Hair Color: Dark Brown
Mother: Hülya Darcan
Father: Tanju Korel
Spouse: Halit Ergenç
Child: Ali Ergenç, Han Ergenç
Siblings: Zeynep Korel
Instagram: https://www.instagram.com/berguzarkorel/
Pets: She has a dog.

Family: One of the two daughters of Tanju Korel and Hülya Darcan couple. Crete, Rumelian and Albanian origin. She married Halit Ergenç in 2009. The couple has two sons named Ali and Han.

Childhood years: Her childhood passed in Ulus. She got her name, which means ‘the relic’, from her father’s grandmother. Acting was not her childhood dream, and her father did not direct it at all. She always had her father’s sentence in her ear, “It is possible to come up with a job and disappear like soap bubbles”. She played volleyball professionally during her school years but had to quit when she suffered an injury. “I haven’t had a life like princesses. When I look back at my childhood, I see a classic Turkish family. Life changed in 2005 when I lost my father and began to be recognized. “

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Education life: She completed her primary education in Nilüfer Hatun Primary School and her secondary education in Yıldız College. She graduated from the Mimar Sinan University State Conservatory Theater Department.

First step into acting: She started her television adventure in 1998 with the series ‘Broken Lives’ (Kırık Hayatlar).

With which project did she shine? She drew attention with the character of “Şehrazat Evliyaoğlu”, which she portrayed in the “1001 Nights” series.

Personality traits: Distant but sincere, lively, energetic, humorous, extremely disciplined when it comes to his job. “I am too chatty. If I go to a cafe, I love to chat with the next table. My pots are very famous, my relatives laugh at me very much. But just as a banker or lawyer does not go up on the table during a meeting in the office, every environment has a manners. Distance is good, intimacy is good. When it comes to animals and children, I can be a great brawler. I am a disciplined in my job, but extremely lazy and procrastinating on some issues. ”

Personal development: She worked with Nicole Kidman and Tom Hanks’ coach Susan Baston, and participated in Özay Fecht’s workshops.

Social: She wants to live like a normal person and tries to live that way. She thinks that living with the stress of being a celebrity will take you away from reality. “For example, I love eating, watching movies and spending time in the bookstore in Kanyon, which is my favorite shopping mall. We love Street. We go out on the weekend. People there got so used to us that nobody cares about our reputation. I want to believe that someone who does the acting profession can continue his normal life and I live like this. Of course, there are times when I have difficulties, but this is our job, we chose it willingly and deliberately. When I take off the costumes, I become a normal person.

Mindset: She sees herself as a person who strives to do her job very well. She likes being around the people he trusts and submitting to them. “I am aware that I am a tabloid figure, and from the moment I became known in this profession, I more or less understood the difficulties I will go through even as a young girl. I am grateful at this age for everything I have experienced. Is it difficult? Yes, it is not easy. But time passes and I am getting stronger every moment, instead of mourning, I worry about what I can beautify, who and what I can touch with this recognition. May Allah give me strength, I will stand tall despite all the difficulties and negativities and touch someone’s lives, enough for me. Stardom is just a role that this sparkling world and people have assigned to me.

What kind of person is she on set? There are many factors that she influenced on set. In a sense, it is racing with time. At this point, the character has its own formulas against the danger of getting into a vicious circle and repeating itself. “While preparing for Feride, I worked hard both theoretically and practically, I read a lot. While examining the human side of Feride in the reality of the TV series, one should not forget his professional stance. At this point, the books I collected before the series come into play. There are many biographies and memoirs written by people who have done this profession, and I hug them when I get stuck. When we first entered the conservatory, there was a sentence that all our professors said; “Your ability is up to a point, if you don’t work one day you will lose your way in the dark.”

First motion picture: Serdar Akar / Kurtlar Vadisi Irak

The look at love: “Life is changing. Expectations, moments that make you happy, what you value, your priorities, get angry, everything changes. Over the years, love gives way to labor, which you realize is much more important. You become a life companion, life partner. Then you take a look at the past, everything that happens is more than love. You say “that’s good”. Three men in love with me… ”

Attitude to life: After the age of 35, it feels calmer, calmer and more valuable every moment. In a consciousness that he understands the value of being happy rather than right. “I have always prioritized getting used to the conditions and life presented to me. I was also when I was a little girl and living with my family. They would say ‘It will happen like this’ and I would say ‘OK’. I did not have great revolts or rebellions. I chose to be happy in whatever rhythm life offers me and always found a way. Now why should I stop and miss my life by saying ‘He did this to me’, ‘He said this to me’, ‘I experienced these in time’? Life passes and I choose to be happy every day when I breathe healthily and my loved ones are with me. People get used to everything, and one should not grow too big. ”

Her view of business life: There is a point of view about his profession that he seeks truth, honesty and sincerity. “Arrogant, assertive and ambitious acting is not for me at all. I have never played as a star. I do not go out in the street wearing makeup just because I am known. I cannot be part of such an order. Otherwise I can’t breathe. I think unnecessary egos come into play when a person feels inadequate. You will know yourself. And you won’t take it too seriously. Why should a person try to exist by breaking and crushing other individuals after trusting himself and what he does and doing his part? ”

Career plan: She acts with her emotions and instincts in the selection of projects, as in her normal life. “I do not choose the scenarios arbitrarily, of course this job has a strategy. I am a good audience. Now I understand what the audience will like and what not, I think I have figured out the mathematics of the work a bit. ”

How has her music career developed? She released two albums. During my album and singing process, she regularly worked with Carmen Yeşiltepe, “We already had solfege and singing lessons in the conservatory. After the first album, I always got good comments. I was very happy to hear that my album is still being listened to and accompanying people to their road stories and tables. Then, during my pregnancy, we got together with Aykut Gürel, and when we both expressed people’s expectations while chatting, we said, “Let’s do it again.”

The repertoire was already ready on the first album, we decided together for the second album. Both Aykut Gürel and I are the types who wake up very early in the morning. We were getting in front of the computer, sharing our favorite songs with each other with their stories. ”

Future Dream: She is keen on writing, has stories that she never read to anyone. Her biggest dream is to shoot a movie of her grandfather, who is a tightrope walker.

What has being a mother changed in herlife? “I have always been a very sensitive, emotional person, but after I had a son, I know that there is a part of me behind me. So when I turn my back, there is a person in the back who needs me. I forgot to do business or have a coffee while on set or elsewhere without thinking. Since he was in my life, I laugh a lot more, I feel much more beautiful. I wake up much more excited in the morning. For example, one day we are separated and when I see him the next day, I get excited as if I will meet my lover for the first time. ”

Concerns: One of the issues that worries her is that his sexuality is still not normalized and attracts so much attention. “As a mother, I am very scared. I find myself saying to my child, “My receiver, no one can touch you against their will.” When did the world get so bad? Or was it always bad but are we now aware of everything? The solution to this is deterrent penalties. The man thinks, “I will do it, I will go to bed, I will get amnesty”. There is nothing deterring. ”

How is she with social media? She has been using social media more actively in recent years. “Of course, the power of social media in recent years is undeniable, but the race to express everything there in a wild language as everyone wishes really scares me. But lately, I’ve heard so many words “Bergüzar, do you read about it?” That I started following a little bit. Of course I am happy. I see the time I spend, my progress. Sometimes I laugh a lot. ”

How does she keep her shape? It attaches importance to regular exercise, healthy nutrition, natural care and positive energy. She pays attention to organic nutrition. She always tries to shop from Feriköy Organic Market every Saturday. “I definitely procure vegetables, fruits and legumes from there. I do not bring acidic beverages into the house, I prefer natural fruit juices. I drink lots of water. I add cucumber, mint and ginger to my water and flavor it, as well as removing the edema in the body. I am also training. It is not right to walk and work hard. I do my training for an hour at home. It is necessary to cut the dinner. Lately, I’ve also removed lactose from my life. ”

Hobby: Painting. She took tango lessons. At the same time he takes photographs and opened an exhibition. “I wanted to do a social responsibility project for women. We developed a joint project with Memeder. I took portraits of women who had survived breast cancer. We do not have enough awareness on such an important issue. Lives can be saved with self-examination in early diagnosis. ”

What does she do at home? She loves making cookies, pastries and hosting guests at home. She cannot have breakfast without watching something. She describes herself as “an anxious woman who walks around the house in pajamas all day without a job”. “My phone never stops. I love trolling my friends. I’m obsessed with adjusting the daily routine to the school leaving time of his child, a little flirtatious, I love knitting. While watching a movie, I shout and talk to the TV like old aunts.

SERIES

2016/2018 – Wounded Love / Azize

2012/2015 -Karadayı / Feride Şadoğlu

2011 – The Magnificent Century / Monica Teresse / Guest Actress

2010/2011- Never Ending Song / Feraye

2006/2009 – 1001 Nights / Şehrazat Evliyaoğlu

2005-Olive Branch (Zeytin Dal) / İklim

1998 – Broken Lives (Kırık Hayatlar)

CINEMA FILMS

2019 -Bir Aşk İki Hayat /Deniz

2009-Aşk Geliyorum Demez /Gözde

2006 -Kurtlar Vadisi Irak / Leyla

2005- Cemalim/ Suna

1999-Şen Olasın Ürgüp (TV Film)

THEATRE GAMES

2019- Kızlar ve Oğlanlar

1001 Nights Turkish Tv

Kuva-yi Milliye

AWARDS

2006- Golden Butterfly Awards / Best Actress / 1001 Nights

1001 Nights Turkish Serial Movies Phyllis L.

2013 – Media Oscars / Best Actress / Karadayı

2013- Ayaklı Gazete TV Stars Awards / Best Actress / Karadayı

2013- Golden Lion Awards / Best Actress / Karadayı

2013 – Golden Butterfly Awards // Best Actress / Karadayı

1001 Nights Turkish Serial Movies Phyllis Gibson

2014 Ayaklı Gazete TV Stars Awards / Best Period Series Actress / Karadayı

TV PROGRAMS SHE PRESENTED

2009- Bergüzar’la Çocuktan Al Haberi

1001 Nights Turkish Episodes

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